Martin G. Georgiev


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Chapter 1.

36 Indeed the contrary could be claimed with greater authority, as Byzantine advancements in music theory and practice from the middle ages lay the foundations of Western music theory and notation: Floros, Constantin, Einführung in die Neumenkunde, (Wilhemshaven: Florian Noetzel HmbH, 2000); Bulgarian translation: Въведение в Невмознанието, (София: Институт за изкуствознание – БАН, 2006), pp. 28, 173.

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