^165. This description could be seen also as corresponding to both some contemporary views on narrative structure in music from psychological point of view (Ole Kühl, pp.210-216) and Ancient Greek and Byzantine theory concerning ethos and metabole (Winnington-Ingram, pp. 66-71; Jørgen Raasted, 1983, pp. 42-51; Dimitri Conomos, 1985, pp. 48-67; Chrysanthos of Madytos, pp.114-119).