Martin G. Georgiev

MORPHING MODALITY

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FOOTNOTES

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Conclusion.

  164. W. Jay Dowling, ‘Scale and Contour: Two Components of a Theory of Memory for Melodies’, Psychological Review, 85, 4, (1978), 341-354; Emmanuel Bigand, ‘Perceiving Musical Stability: The Effect of Tonal Structure, Rhythm, and Musical Expertise’, Journal of Experimental Psychology: Human Perception and Performance, 23, 3, (1997), 808-822.



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